{"id":8954,"date":"2018-03-29T10:54:47","date_gmt":"2018-03-29T09:54:47","guid":{"rendered":"http:\/\/www.museums.cam.ac.uk\/blog\/?p=8954"},"modified":"2020-09-04T15:35:59","modified_gmt":"2020-09-04T14:35:59","slug":"her-story-eliza-brightwens-bible-album","status":"publish","type":"post","link":"https:\/\/www.museums.cam.ac.uk\/blog\/2018\/03\/29\/her-story-eliza-brightwens-bible-album\/","title":{"rendered":"Her Story: Eliza Brightwen’s Bible Album"},"content":{"rendered":"

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The\u00a0Her Story series<\/a>, exploring the stories of fascinating women in the University of Cambridge collections, begins at the Whipple Museum of the History of Science<\/a>. Rosanna Evans reveals the secrets of a very special Victorian scrapbook…<\/h2>\n

Eliza Brightwen is not the most obvious female scientist to showcase as a part of Her Story \u2013 she is not the most renowned female scientist in our collection, nor was she particularly an agitator for democratising access to scientific knowledge – but just wait till you see her Bible Album. The astonishing care taken over its beautiful assembly is a reflection of how many women accessed scientific experiences in the 19th<\/sup> century, and it\u2019s impossible not to feel inspired when turning the pages.<\/p>\n

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Pages 59-60 of Brightwen’s album<\/figcaption><\/figure>\n

Brightwen was a devoted Christian who believed that the existence of God was demonstrated by the natural world, and who pursued her faith by pursuing a better understanding of the world around her. Although this view may not be shared by all contemporary viewers, I find the way that Brightwen sought to learn from observations, recording, collecting, and experimenting from what was immediately available to her to be a humbling and inspiring reminder about appreciating nature and science every day, wherever you are.<\/p>\n

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Eliza Brightwen’s Inmates of my House and Garden, c.1895, at the Whipple Library.<\/figcaption><\/figure>\n

Unfortunately, Eliza had a nervous breakdown in 1872, rarely leaving her home or working for 18 years. Although she continued to have difficulties with her physical health, in her 60s she started to publish her works. She published six books on her experiences and observations of natural science and subsequently becoming a popular figure in natural history. She was a keen proponent of animal preservation and spread education about falconry, the use of feathers in clothing, as well as about bird trapping.<\/p>\n

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Here and below: While having a look at Brightwen\u2019s published works for this blog in the Whipple Library, I came across these lovely reminders of the network of women learning from nature.<\/figcaption><\/figure>\n

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The Bible Album itself is a personal project of Eliza\u2019s, likely made during the 1870s. Scrapbooking was popular during the 1800s and was a way for women to engage with nature and science. It is clear from the album\u2019s contents that Brightwen\u2019s interaction with nature facilitated and enriched her Christian beliefs \u2013 and also, that she associated goodness, truth and morality with womanhood. The pages are filled with images of different women \u2013 herself, and Queen Victoria, teachers, in prayer, as well as women supporting and caring for other women. It is meticulously assembled: a beautiful scrapbook that tangibly embeds observations and specimens alongside a personal, cultural, and spiritual understanding of the world \u2013 as well as demonstrating \u2013 to the viewer\u2019s delight – how scientific pursuit can be an art, and how artistic skill can be scientific.<\/p>\n

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The Bible Album is currently on display in our Learning Gallery. Scroll through the gallery below to explore more pages from the album:<\/p>\n

\n\n\"\"\n
Pages 9-10: pressed olive leaves<\/div>\n
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<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 13-14: peas and leaves<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 35-36<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 39-40<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 51-52: melon <\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 53-54: Queen Victoria<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 59-60<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 67-68<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 87-88: onions (right)<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 101-102: bird feathers (top right)<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 113-114: birds<\/div>\n
\"\"\n
<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n\n\"\"\n
Pages 119-120: morality and women<\/div>\n
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<\/i> Back to gallery<\/div>\n<\/div>\n<\/a>\n<\/div>\n\n

Look out for more Her Story posts coming soon on this blog. Her Story is a project initiated by the Change Makers Action Group<\/a>.<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The\u00a0Her Story series, exploring the stories of fascinating women in the University of Cambridge collections, begins at the Whipple Museum of the History of Science. Rosanna Evans reveals the secrets of a very special Victorian scrapbook… Eliza Brightwen is not the most obvious female scientist to showcase as a part of Her Story \u2013 she is not the most renowned… Read full article<\/a><\/p>\n","protected":false},"author":10,"featured_media":8955,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[166,369,172],"tags":[221,287,218],"coauthors":[183],"class_list":["post-8954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-making-change","category-museum-life","category-whipple-museum-of-the-history-of-science","tag-access-inclusion","tag-change-makers-action-group","tag-cultural-value"],"acf":[],"aioseo_notices":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/posts\/8954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/comments?post=8954"}],"version-history":[{"count":5,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/posts\/8954\/revisions"}],"predecessor-version":[{"id":8978,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/posts\/8954\/revisions\/8978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/media\/8955"}],"wp:attachment":[{"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/media?parent=8954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/categories?post=8954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/tags?post=8954"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.museums.cam.ac.uk\/blog\/wp-json\/wp\/v2\/coauthors?post=8954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}