John-James Laidlow's Museum Remix video is inspired by a 16th-century iron prosthetic hand in the Fitzwilliam Museum's Armoury.
Meet 1924 (bertha no. 2), a painting by Ben Nicholson of a woman known to us only as "Bertha", now displayed at Kettle's Yard.
Stepanka Facerova's Museum Remix video gives voice to the painting, imagining life in the Kettle's Yard House from its point of view...
Listen to a story from Queen Anne's court...
Botanical illustration is often admired for its beauty and accuracy, which can mask the ways in which the plant was acquired in the first place and the brutality of the war and violence which enabled the plant to be seen, studied, collected and painted.
In the collage Woven Histories, Claire O'Brien weaves together the Fitzwilliam Museum's beautiful watercolour of the plant josephinia imperatricis, named for the French Empress Joséphine, with a commanding image of Joséphine's husband Napoleon Bonaparte. It's impossible to see one without the other.
What can the botany-loving Empress Joséphine, wife of Napoleon Bonaparte, tell us about the relationship between science and empire?
Helen Grundy's artwork Josephine Hybrid is inspired by a botanical watercolour in the Fitzwilliam Museum by Pierre-Joseph Redouté. The watercolour depicts the plant josephinia imperatricis, named after Empress Joséphine. In this collage, Helen splices together josephinia imperatricis with a portrait of its namesake.
Carole Bouvier's collage wraps the Fitzwilliam Museum's marble portrait of Queen Victoria in patterns inspired by traditional Nigerian fabrics.
Queen V: the roots of cultural appropriation