Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Hannah Arendt’s essay – We Refugees – was published in 1943, after she and her family escaped to New York following the Nazi occupation of France. Arendt details the personal trauma of exile and forced migration and reads the refugee as a product of the limitations of the nation state. However, the exile, the émigré, the refugee, has a history much older than any particular mode of political organisation.
Originally available during a special Saturday opening, we've extended the run of our Museum trail, We Refugees.
Explore the hidden histories of the Polar Museum in this new label display. From the female figures in polar history to the origins of Inuit art; follow the stories around the museum exhibits and discover something new.
This display is part of the University of Cambridge Museums' Power and Memory programme.
Available to view during museum opening hours 10am – 4pm, Tues-Sat.
Delve into the collections at the Whipple Museum of the History of Science and learn about the difficult histories inherent in the advancement of scientific knowledge. Age recommendation 10 or older.
Join us at the Museum for a special performance-based Taruwa evening.
By bringing together collections from across the University of Cambridge’s museums, libraries and colleges with loans from around the world, Black Atlantic: Power, People, Resistance asks new questions about Cambridge’s role in the transatlantic slave trade and looks at how objects and artworks have influenced history and perspectives.
