According to the late antique historian Orosius, the appearance of Augustus as the sole ruler of the Roman Empire was part of God’s plan for the Christianisation of the world: “Caesar’s empire was established with a view to the future coming of Christ”.
Join Tim Whitmarsh to explore to what extent did the spread of early Christianity depend on the emergence of the new world order. Is the success story of the new cult separable from that of the new political dispensation?
This event is part of Cambridge Festival.
Classics is thriving in Ghana. It is taught in two public universities (the University of Ghana and the University of Cape Coast) and undergraduate numbers there are bigger than here in Cambridge, and still growing. Classics Beyond Borders is a new initiative in the Faculty of Classics that has formed a collaboration with the University of Ghana and the University of Cape Coast to learn about how colleagues there have dealt with the challenge of decolonisation, increased student numbers over the years, and reinvigorated the discipline.
Grab a glass of wine and engage in an evening of unconventional conversation where we will celebrate the body, both sculpted and flesh-and-blood.
What is the place of our body when we enter a museum? How can we find space amongst a roll-call of sculpted perfection for our own embodiment, however messy and real? Choreographer Sivan Rubenstein’s dance performance will foreground the mother’s growing body in transformation, while Caroline Vout and Sarah Fine bring academic and philosophical discourse back to the body.
Join Curator, Dr Susanne Turner, on a journey around the Museum of Classical Archaeology's Cast Gallery, to explore how the sculpting of the body changes over 1000 years of Graeco-Roman sculpture. Why do bodies look stiff and frontal at the start of the Gallery? And what gets them moving as you walk through?
This event is part of Cambridge Festival.
Join the Newnham Queer Archive and the Museum of Classical Archaeology for an evening of re-writing history, exploring queer classicists of the last 150 years.
Grab a drink, listen to lightening talks about key queer figures at Newnham, or try your hand at a craft. Dive into a Cambridge history which is often overlooked and under-appreciated, told not by the male voices which have so often dominated the history books but in the words of current students and recent alumni who are queering the archive today.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
Same-sex desire does not need modern labels and categories in order to exist across time.
From goddesses and ancient myths to powerful emperors explore the spectrum of identities that exist across time, place and culture in amongst the statues and sculptures of the atmospheric Cast Gallery at the Museum of Classical Archaeology.
