Right plant, right place… we’ve all heard that before right? But what does it mean and how can we achieve it in our own gardens? Join Paul Herrington for an informal, relaxed morning session. You’ll go away with a greater understanding and appreciation of micro-climates, soil types, plant choices and planting styles. And have a clear framework how to apply all of this to your garden borders whatever their size, and wherever they may be. NB this is a core component of my longer garden design courses.
Garlic bulbs are generally overlooked by botanical artists because they are not very interesting. Pale, hardly any colour and relatively uninteresting. THINK AGAIN! They are beautiful. The colouring is delicate, pretty and subtle. The shading has to be carefully worked to show the shape of the cloves beneath the fine, papery skin. Then, that papery skin, when dried out, cracks and peels, adding so much extra interest to the illustration. Fine ridges have to be shown, together with delicate gradations of colour. Then add green shoots emerging f
Travelling back in time you will discover that the borders of the tropical region have been dynamic throughout the history of life on Earth with clues that have allowed us to understand the extent of the tropical belt, with a focus on the fossil record.
The creativity of the artist’s hands and the marks and traces they leave is part of the narrative of the Fitzwilliam’s The Human Touch exhibition.
Join art historian Sarah Burles for an online afternoon talk on the artist Winifred Nicholson (1893-1981). The talk will put Nicholson’s work at Kettle’s Yard into a wider context as well as discussing her friendship with Jim and Helen Ede.
Art Critic Martin Gayford’s new book Spring Cannot be Cancelled is an uplifting manifesto that affirms art’s capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between the artist David Hockney and Martin Gayford, who are long-time friends and collaborators. Their exchanges are illustrated by a selection of Hockney’s new Normandy drawings and paintings, many previously unpublished, alongside works by van Gogh, Monet, Bruegel, and others.
Join us for an online conversation exploring the life and work of Alfred Wallis, inspired by our current exhibition Alfred Wallis Rediscovered.
Alfred Wallis spent most of his life as a seaman and fisherman in Cornwall, only turning to painting at the age of seventy. Although he painted from memory, his evocative images of ships, fishing vessels and the Cornish landscape were based on a lifetime of direct experience.
Our bodies are enveloped by the organ of touch, the skin. Touch receptors connected to our nervous system are everywhere, but most densely clustered in our fingertips. Their sensitivity allows us to read tactile writing systems like Braille, and our fingerprints, fully formed at birth, are unique to each individual.
In this online talk Dr Amy Tobin, curator of Exhibitions, Research and Events at Kettle’s Yard explores gender, art making, performance and desire in the works by three women artists featured in The Human Touch exhibition: Alexis Hunter, Ketty La Rocca and Geta Bratescu.
This event is linked to our exhibition The Human Touch.
